Another magical musical mystery. No clue what this is. The cover looks really 80s and I hate it.
https://traceythorn.lnk.to/RecPreWE
- Queen
- Hey man,
that’s so 80s. This singer has a deep voice and they synths are crazy out
of the gate. Is this a woman? I thought it was from the name and album
cover but the vocals are pretty mannish. I kind of like them so far but
I’m only like a minute in. Do some people really have an artistic vision
that leads them to make this kind of music independent of anything derivative
or any nostalgia? “I’d like to make this kind of music. Oh, it’s
representative of the absolute worst type of music in all of pop history?
Totally unintentional.”
- Air
- That last
song was really dated but OH GOD I CAN’T TAKE A WHOLE ALBUM OF THIS. This
song is “slow adult contemporary jam, with extra synth”. Or something. It’s
terrible.
- Guitar
- What have
I done to myself? I was trying to live review good or at least interesting
albums so all my live reviews weren’t about trash. “Hey boy, you taught
me my first song” blah blah blah tell me about your stupid affair with
your music teacher or whatever is happening. My guitar teacher would
snort when he got really into playing classical guitar. Took away from
the overall effect a bit, unless he was really going for “sweet but
snorty”. This song is better than the last but still sounds like a gay
middle schooler wrote it in 1987.
- Smoke
- What in
the heck made me think I should listen to this album? It’s everything I
dislike about pop music. Oh good…this one is sort of old-timey. Which
just means the synths are downplayed a little and it sounds like a
medieval ballad about…I don’t know. “London you in my blood and/You've been
there for so long/London you in my blood but/I feel you going wrong” Oh.
It’s dumb stupid autobiographical crap. OH MY GOD That’s why I knew this
name – she’s the singer for Everything But The Girl! That might make me
like this less though. It’s not good at all.
- Sister
- I stopped
paying attention. This song has the big dumb synth drum hits going all
the way through it and I pretty much tune that out whenever I hear it.
Her voice is actually the best so far on the album though when she howls “SIIIIIIIII-IIII-SSSSTER”.
OK, I take it back about the drum. I think this is my favorite song on
the album. It sounds like a ghost train and at least half of it has no
singing.
- Go
- Something
about the sounds in this make me feel like I’m watching someone lick
their lips a lot while they talk, especially mid-word. That’s not a good
association. The song is fine I guess. I definitely like this album
better when it slows down.
- Babies
- Oh no.
Fast song again. This one is like a country line dance (are there other
kinds of line dances?) if all the instruments were replaced by Game Boys.
And I’m pretty sure she’s singing the most trite observations about
babies imaginable but I’m not going to look up the lyrics because what I
can hear is bad enough.
If my mom wrote a song about babies it would be this.Scratch that…if any mom wrote a song about babies it would be this. Keep in mind that most moms aren’t good songwriters. Nothing against moms, it’s just that most people aren’t good songwriters and most moms are people. - Face
- What the…what
has happened to this album? It was bad enough but now seems to be an
absolute literal walk through middle age insecurities. This has a piano
so it must be heartfelt, right? Heartfelt clicking on a Facebook photo
and refreshing the browser and OH MY GOD THIS IS JUST THE WORST THING
EVER. The rest of the song is more about playing with her Googles using the
Window computer on Netscapes.
- Dancefloor
- Farting frog
synthesizers might be obnoxious, but not as much as that last song.
Nothing could be that bad. Oh no…except for maybe this song. Was the
whole first half of the album this uninspired and I just missed it? There’s
no subtlety to the last half at all for sure.
Final Rating:
Four flatulent frogs
from fifteen. I barely care about the mundane details of my own life and I
sure as heck don’t care about Tracey’s.
No comments:
Post a Comment